“Flower of Life” is an ancient symbol, present in many cultures and loaded with meaning. I had a commission to make such a stone and I have designed my own version of the faceting diagram for it, for the 120 index wheel, with many fractional indexes, to achieve greater precision of the drawing. It has 314 facets, very laborious design to cut, but I love the result! A very special stone indeed!
After making the first large stone, 24 mm and 42 carats, I had a request to make a set with one large stone and three smaller ones, 16 mm. Here is the result!:
And then later I made another set of two small stones of 12 mm and one of 16 mm. It is a very laborious cut to make, but I love how this design looks, which can be adapted to different sizes of the gem!
Here is a short video of the cutting process of a large amethyst with this design:
If you like this faceted design, you can order a gemstone or a set to be cut for you. They can be made in different sizes and in different types of gemstone, for example amethyst, citrine, smoky quartz, prasiolite, topaz, etc. Contact me by email to place your order!
More info about "Flower of Life" pattern
The Flower of Life is an ancient geometric symbol that has been found in various cultures throughout history. It consists of multiple evenly spaced, overlapping circles arranged in a hexagonal pattern, forming a symmetrical and harmonious design. This symbol has been widely recognized for its intricate beauty and deep historical significance.
One of the oldest known representations of the Flower of Life is found in the Temple of Osirion at Abydos, Egypt. These carvings, believed to date back thousands of years, demonstrate the importance of geometric symbols in ancient Egyptian culture. The design’s precise construction suggests an advanced understanding of geometry, which was closely linked to architecture, astronomy, and artistic expression in the ancient world.
In Mesopotamian and Phoenician cultures, circular and interwoven patterns similar to the Flower of Life have been discovered in artifacts and architectural elements. These civilizations were known for their highly developed systems of mathematics and geometry, which played a crucial role in their religious and artistic expressions. The use of interlocking circles may have represented cycles of nature, continuity, or celestial order.
In China, geometric patterns resembling the Flower of Life appear in early Buddhist and Taoist art. These patterns were often incorporated into temple decorations and sacred texts, symbolizing harmony and the interconnected nature of existence. The symmetrical arrangement of circles reflected the balance and order found in nature, which was a key principle in Chinese philosophy.
In India, the Flower of Life shares similarities with mandalas, which are spiritual and ritualistic geometric designs used in Hinduism and Buddhism. While the Flower of Life itself is not a direct part of these traditions, its geometric principles are reflected in the intricate symmetrical patterns found in temples, sacred diagrams, and ancient manuscripts. The repetitive structure of the design symbolizes unity and the infinite nature of creation.
In Greece, the study of geometry was essential to philosophy and science, particularly through the works of Pythagoras and his followers. The Flower of Life is believed to be related to Pythagorean teachings, which emphasized the mathematical principles underlying the natural world. The symbol’s precise geometric composition aligns with the ancient Greek pursuit of understanding order, proportion, and beauty.
The Flower of Life also appears in medieval European architecture, particularly in Gothic cathedrals. The intricate use of interlocking circles and geometric patterns in stained glass windows and decorative elements suggests that medieval architects understood the aesthetic and symbolic importance of these shapes. The design was often used to represent divine harmony and the relationship between mathematics and creation.
In Japan, patterns resembling the Flower of Life are seen in traditional textiles and ceramics. These designs, often referred to as Asanoha (hemp leaf pattern), have been used for centuries in clothing and artistic motifs. While the exact symbolic connection to the Flower of Life is uncertain, both share a focus on geometric repetition and natural symmetry.
Throughout history, the Flower of Life has been embraced by different cultures as a representation of harmony, continuity, and artistic expression. Its widespread presence in ancient civilizations highlights the universal human fascination with geometric patterns and their symbolic meanings. Today, it continues to be admired as an enduring symbol of balance, beauty, and historical significance.
Find these stones on my website by following these links:
https://egorgavrilenko.com/product/amethyst-flower-of-life-4249-ct/
https://egorgavrilenko.com/product/amethyst-flower-of-life-cut/